Historical attraction

Forts and Castles

Archeological Sites

Traditional Markets

In spite of the development and progress achieved by Omani society in all aspects of life, the preservation of the Omani heritage is a fundamental pillar of the modern state and a distinctive feature of the Omani society. Heritage is an essential element in the formation of national identity. Despite the tremendous development of tools and means of production. Omani crafts include: Ship (Dhow) Building Oman's connection with the sea stretches back many centuries when Omani sailors using mast and sail, pioneered sea routes to the cities of the ancient world. Favorable factors were Oman's position at the crossroads of shipping routes which linked the Arabian Gulf to India, the Red Sea and East Africa and her knowledge of shipbuilding. Oman became the first non-European country to extend its influence to Africa where it remained for hundreds of years, due mainly to her ships/dhows. Oman was an important maritime and political power who established relations with China, Great Britain, France, the Netherlands and the United States of America. Throughout its long history, Oman's navy has played a key role in the country's economic success, both in providing the instrument for internal and external trade and in underpinning fishing and pearling activities. The Omani warship "The Sultana" which anchored in New York harbour in 1840, bearing gifts from Sultan Said bin Sultan to the American President, was a symbol of the greatness of the Omani fleet at that time. In Oman two techniques are used in shipbuilding. In the first, timbers are laid side-by-side and pierced at intervals with a fine hand drill. The timbers are then bound together through these holes by means of rope made of coconut fibre and the holes covered with a mixture of fibre or raw cotton soaked in fish, coconut or sesame oil. Arab geographers such as Al Idrissi and Ibn Jubair believed that boats bound with fibres and with flat hulls were safer than those fitted together with rigid iron nails because if they ran onto rocks or came into contact with another hull, they were more flexible. In the second method, nails are used and in essence this is the same technique as used in other countries of the Arabian Gulf and Red Sea. The main type of wood used for the hull and keel is teak which is imported from India. The ribs are made from locally available woods such as qart, sidr and sarar. The tools used in a ship's construction are simple and basic such as the hammer, saw, awl, bow drill, chisel, plane and calking iron. The principal shipbuilding yards in Oman were Sur, Mutrah and Shinas. Omani ships, which can last for 60-100 years, are distinguished by their variety of types although some are no longer made. The largest type was the ocean-going cargo vessel, the baghlah with a length of 135 feet and a load capacity of 150-400 tonnes which could be distinguished by its high poop deck and quarter galleries, its transom stern being pierced by five window apertures and often elaborately carved. The ghanjail was very similar to the baghlah, and is considered by many Omanis to be the most beautiful of the large dhows.The sambuuq used to be one of the most commonly seen Arab vessels: its distinguishing features are the low, curved, scimitar-shaped stem piece and high square stern which lacks a quarter gallery. The word sambuaq used to denote the sewn boats of the Dhofari coast, and may therefore be a term of great antiquity. The government is keen to encourage the maritime tourist industry, in restoring old ships, increasing the use of large vessels/dhows for sea fishing, and also the building of small models of Omani ships for decorative purposes and for i participating in exhibitions. HALWA Omani halwa (sweet) is famous at home and abroad as a symbol of traditional Omani hospitality. It is usually served in Omani homes before drinking Arabic coffee. The main ingredients which go into the making of halwa are: starch, eggs, sugar, water, ghee, saffron, cardamom, nuts and rose water from the Jebel al Akdhar. The ingredients are mixed, in proportions and quantities known only to the skilled halwamaker, and cooked in a mirjnl (large cooking pot used especially for halwa) for a time of not less than 2 hours. The cooking can be done over a gas or electric stove, but the preferred method is over a wood fire made up of snmr wood, known for its durability, smoke and odourfree properties. After cooking, the halwa can be preserved for more than four months without losing its quality, and without the need for refrigeration or preserving agents. Halwa is usually served in a dist, a large earthenware bowl, which can vary in size and composition according to demand or type of occasion. The list can also be made of metal or plastic. Halwa is invariably served at times of joy or sorrow and, on religious occasions and festivals. It graces the tables of every Omani home. Palm leave products The Palm leave products depends on palm trees. There are Al Khaws (palm leaves), the Zawr (palm branches stripped of their leaves), the palm trunk and the fibre. For example, mats(rugs) are made of the two plants called Al Ghadf and Al Rusul which grow on the valley banks where there is an abundance of water. Governorate of Musandamis renowned for its palm leaf industries, such as utensils (Al Surood and Al Makba) which are made from palm leaves. Al Surood is a mat-shaped tray known as Sama, used with food to protect it from insects, while Al Makba fulfils the same purpose. Daggers and Swords A normal or hooked dagger is the most important component of the Omani dress. Omanis are keen to acquire daggers and appear wearing them at official events, national celebrations and weddings. Due to the succession of this social custom from one generation to another, the dagger-making industry has survived the passage of time, albeit with modern improvements. The Omani dagger is an authentic heritage the present generation is keen to pass on to their children. The dagger is also a symbol of manhood and pride among Omani men, who wear it on their leather belts over the dishdashah (long outer garment). Its front section is made of small connected silver pieces, or it may be elegantly embroidered with silver or gold threads. A dagger’s price is determined by the raw material it is made of, usually iron, silver or gold. Although silver daggers are the most common, especially for making the dagger handle, the blade case too determines a dagger’s price. There is the giraffe case, which is the most expensive because it has been banned, and cases made of buffalo skin, sandalwood, and the bitter orange tree. Silver wares The silver industry occupies a key place in the history of Oman. Omani silver jewellery is characterised by a rich sense of the aesthetic and reflects the unique taste of the country’s authentic art, deeply rooted in its history. Silver in Omani society is reflective of its rich social and religious symbols. The Omani dress, whether that of women or men, is never complete without silver jewellery that adds to its beauty, especially apparent in the Omani khanjar (dagger). The Pottery The art of pottery-making is an inherent and distinct testimony to the world’s civilisations as it reflects the extent of their development and advancement. Though pottery-making is one of the simplest forms of art because of its primitive nature, it is in fact, one of the most difficult trades because it involves a form of art. Pottery-making in Oman is considered an ancient industry. The reason it has attracted much interest can be attributed to the multitude of its uses in Omanis’ daily lives. Bahla in A'Dhahirah Governorate is the most famous town for pottery-making in Oman. Pottery is of many kinds and shapes, and its uses and manufacturing materials vary. The pots known as jihal are used for keeping water, the red pots with a thick layer known as khuroos are used for keeping water and dates, the small ones are for keeping honey and grease and the pots known as brams are used as cooking utensils. Pottery is also made as coffee pots and thermoses. Clay is the main component of Pottery and is widely available in Bahla in A'Dhahirah Governorate, where the soil is rich in clay.

National Dress - Men The national dress for Omani men is a simple, ankle-length, collarless gown with long sleeves called the dishdasha. The colour most frequently worn is white, although a variety of other colours such as black, blue, brown and lilac can also be seen. Its main adornment is a tassel (furakha) sewn into the neckline, which can be impregnated with perfume. Underneath the dishdasha, a plain piece of cloth covering the body is worn from the waist down. Omani men may wear a variety of head dresses. The muzzar is a square of finely woven woollen or cotton fabric, wrapped and folded into a turban. Underneath this, the kummar, an intricately embroidered cap, is sometimes worn. The shal, a long strip of cloth acting as a holder for the khanjar (a silver, hand-crafted knife or dagger) may be made from the same material as the muzzar. Alternatively, the holder may be fashioned in the form of a belt made from leather and silver, which is called a sapta. On formal occasions, the dishdasha may be covered by a black or beige cloak, called a bisht. The embroidery edging the cloak is often in silver or gold thread and it is intricate in detail. Some men carry the assa, a stick, which can have practical uses or is simply used as an accessory during formal events. Omani men, on the whole, wear sandals on their feet. The Khanjar The curved dagger, the khanjar is a distinguishing feature of the Omani personality as well as an important symbol of male elegance. It is traditionally worn at the waist. The shape of the khanjar is always the same and is characterised by the curve of the blade and by the near right- angle bend of the sheath. Sheaths may vary from simple covers to ornate silver or gold-decorated pieces of great beauty and delicacy. In the past the silver khanjars were made by melting down Marie Theresa silver coins. Different types of khan jars are named after the regions in which they are made and vary according to size, shape, type of metal and the overlay. The top of the handle of the most usual khanjar is flat but the "Saidi" type, which takes its name from the Ruling Family, has an ornate cross-shaped top. However, all possess certain common features and have the same components: • The hilt may be made of costly rhinocerous horn or substitutes such as sandalwood and marble. • The blade determines the value of the khanjar according to its strength and quality. • The sadr, or upper part of the sheath, is decorated with silver engraving, • The sheath , the most striking part of the khanjar, is worked with silver threads. Khanjars are supported on belts of locallymade webbing, sometimes interwoven with silver thread or belts of leather covered by finely woven silver wire with handsome silver buckles, and a knife with an ornate handle of silver thread is often stuck into a simple leather pouch behind the sheath. Khanjars are worn on formal occasions and at feasts and holidays, and almost all Omani men boast one. Once worn in self-defence, the khanjar is today both a fashion accessory and a prestige item much in demand. National Dress - Women Omani women have very colourful costumes which vary from region to region. The main components of a woman's outfit comprise of a dress which is worn over trousers (sirwal) and the headdress, called the lihaf. There are numerous traditional styles of Omani costume seen in Muscat. However, there are three main types which show vibrant colours, embroidery and decorations. One style of costume is rather flowing and resembles that worn by the women of the Interior, while another is decorated with distinctive silver bands. The embroidery on these dresses can take around two months to complete. The jewellery worn by Omani women is fashioned mainly from gold, although the traditional metal was silver. Work is very intricate and elaborate patterns and symbols, even Quranic calligraphy, is engraved into the metal. Traditional footwear was a type of platform shoe made from wood called the qurhaf. However, most women now wear sandals or Western-style fashion shoes. Omani women have used natural cosmetics and beauty preparations for centuries and despite the supply of brand name cosmetics sold in department stores and supermarkets, the traditional products are still available at souqs all over the Sultanate. Kohl, a dark powder used as an eyeliner made mainly from frankincense or the roots of the arvea jevanica, is still used to enhance the eyes and is applied with a small stick made from silver (marwat) or wood. As a 'moisturiser' women grind the seeds of the prunus mahled together with the yellow pigment of the carthamus tincturius flower. Indigo is also used as a 'skin wash'. The indigo is pounded into a powder and rubbed into the skin, to then be rinsed off with the crushed leaves of the becium dhofarense. This beauty treatment leaves the skin smooth and faintly tinged with blue which enhances the natural skin tone and is complemented by the colours contained within the vibrant dresses and scarves. Indigo is also applied to the face in decorative patterns for festivals and celebrations, such as weddings. Hair is conditioned with oil extracted from the shoo seeds which is said to make the hair shine and delay the signs of greying. A popular shampoo is made from sidr and ipomoea nil leaves. Many women in Oman paint their hands and feet with henna, particularly before special occasions such as Eid holidays or weddings. Henna comes from the plant of the same name and is extracted by pounding the leaves into a powder which is then mixed with water to form a thick paste. The paste is applied in patterns on the hands and feet, which, when dried, leaves a temporary orange/brown design which fades after around three weeks.